COMPOSING THE PERFORMANCE

 

The thesis

 

Examples

Indy500: seklernas udde

Hamlet II: Exit Ghost

A Language at War

Arrival Cities: Växjö

Fält

 

Musical Composition as a

Dramaturgical Strategy

 

Documentations

and resources

 

List of works

and performances

 

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The Bells

Champs d'étoiles

A Language at War

Two actors, singer (soprano specialized in extended vocal techniques), electroacoustic music (5.1 sound system),

live and pre-recorded video, multiple video projections.

 

‘The limits of my language mean the limits of my world’, writes Wittgenstein in Tractatus Logico-Philosophicus. A Language at War is an attempt to enact what language is when it ceases to have a meaning. Or when the meaning has been broken down to its smallest components and has become something else and something new.

 

Concept: Jörgen Dahlqvist,& Kent Olofsson | Text, video, light: Jörgen Dahlqvist | Electroacoustic music: Kent Olofsson | Dramaturgy: Jörgen Dahlqvist, Kent Olofsson, Angela Wingerath, Rafael Pettersson & Linda Kulle | Actors: Rafael Pettersson, Linda Kulle (Celia Hakala in 2015) | Singer/Actor: Angela Wingerath | Working period: June – November 2011

Premiere: Inter Arts Center, Malmö, November 12, 2011

 

Performances:

Inter Arts Center, Malmö. November 12-15, 2011

Royal College of Music, Stockholm, January 23 2012

Göteborg Dans och Teaterfestival, Atalante, Gothenburg, May 20 2012

Berlin January 29 –February 1, 2015

Munich February 4-5, 2015

Vienna February10-11, 2015

 

Download

Performance of A Language at War, at Atalante, Gothenburg May 2012.

Göteborgs Dans-och Teater-festival

Performance of A Language at War, at Acherstadt Palats, Berlin January 2015. German subtitles (projected)

Performance of A Language at War, at Acherstadt Palats, Berlin January 2015. Sound recording

Performance of A Language at War, at Acherstadt Palats, Berlin January 2015. (no subtitles)